There are some memorable animated characters out there nowadays, for example Mickey Mouse, Cinderella, and even Shrek. I did not know that the first fully realized animal character was Felix the cat! FELIX was more than just a cartoon, as explained in the article, “The Cat with the Killer Personality,” by Michael Cart. Created by John Canemaker, illustrated by Otto Messmer, and “exploited” by Pat Sullivan, Felix the Cat with the Killer Personality was a “commercial exploitation” up until 1919 when Mickey Mouse took the stage.
As I was watching some Felix cartoons, I found myself a little bit creeped out. Old cartoons to me are so scary, because I feel like they have a darker meaning than today’s cartoons. Sullivan was known to be an alcoholic and was convicted for rape of a teenager. He also had issues with the possession of Felix, as Canemaker acknowledged, “his proprietary paranoia regarding Felix’s ownership.” With such a disturbing back story on the creators of Felix, I think that’s what makes it so intriguing to so many people.
I think Felix can be classified as a cult classic. In the article, “Cultographies,” we are given a look into cult films, and what makes them so. “A cult film is characterized by its active and lively communal following,” but more precisely, they are categorized in four major elements, which are all very important.
- Anatomy, as in its content, style, format, etc.
- Consumption, in terms of how it is viewed and how much.
- Political Economy, which is the actual ownership, intentions, promotions, etc.
- Cultural status, which is how the film complies, exploits, critiques, or offends its surrounding.
Felix the Cat can also evoke feelings of nostalgia, which is one of the make ups for the anatomy of a cult film. Another one that can be applied to Felix is the many ways it can be interpreted, as stated in the article, “They revel in the number of references, interpretations and connections their knowledge allows them to make and by doing so they equip films with multiple subtexts.” I feel like cult films are for those who are attracted to odd cultural conventions that are challenged through its storytelling. The article mentions its difficulty to get a hold of such films, saying “In spite of often-limited accessibility, they have a continuous market value and a long-lasting public presence.” The Arcata Theatre Lounge is notorious for showing cult classics, like ‘The Big Lebowski’ and ‘Pulp Fiction.’ The reason why I like these films is because “Surrealist imagery and deadpan existentialist performances” are apparent.
I also think that because it was so classic in its black and white era, Canemaker mentions that they couldn’t quite keep up, “Sound, color, full animation, a cast of hundreds, and Disney-like illusory special effects diminished rather than enhanced [ Felix’s ] essence.” Felix had the “elegance of simplicity” at first, but once they had added a voice to keep up with the times, it went down the drain. There are a lot of people that feel that this was a time a great television, and that TV nowadays has gone to the gutter.
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